Here are some things I spit out recently. The two heads are drawings that really just explored exaggerated details; the one led to the "snooty" version of the King.
About the other--
I want to start designing the characters along side one another to see how they react visually. A screen test if you will. This seems more appropriate than designing one....then later, designing another so that it fits in the same family as the previous. This way they evolve together and maybe one can influence the other in ways I may not have imagined. Also notice the solid color beneath the characters. I started with that and built out the line work from there. Just an exercise to get the essence down quicker. But, then I got a little philosophical with it. The character with less substance (shallow) actually turned out to be the one with less framework...and the stronger character is the one with the solid, filling mass. Could be something to that.
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